× Introduction 01 - Otto Lindholm - Cain 02 - Pan Daijing - The Island Within 03 - Lanark Artefax - Styx 04 - Petit Singe - Komm Wieder Mit 05 - Peder Mannerfelt - Post Sense Perspective 06 - Tomoko Sauvage - In Some Brighter Sphere 07 - Pye Corner Audio - Box In A Box 08 - Sophia Loizou - Shadows of Futurity 09 - Abul Mogard - Trembling With Tenderness 10 - Pär Grindvik - Speaking Their Minds 11 - Koenraad Ecker - Rat's Coat 12 - Roly Porter - Without Form 13 - Hodge - Sunlight On A Broken Column 14 - Gazelle Twin - The Dream Ends 15 - Shapednoise - Ghostly Metafiction 16 - ASC - Tessellate 17 - Batu - Zoo Hypothesis 18 - We Will Fail - Carbon Trail 19 - Peter Van Hoesen - 98 Lines 20 - Spatial - Haunted Dance Hall 21 - Yves De Mey - Solemn But Fading 22 - Mindspan - Accept Things As They Are 23 - Kangding Ray - Glacier 24 - ZOV ZOV - Post Six 25 - Ian William Craig - An End Of Rooms

In Death's Dream Kingdom

Peder Mannerfelt - Post Sense Perspective

About Post Sense Perspective

I concentrated solely on trying to describe the "whimper at the end” by building something very grand and pompous that disappears before you realise it was going somewhere

Peder Mannerfelt

Peder Mannerfelt has served for the last decade as one of Sweden’s leading electronic artists. He’s collaborated under the pseudonym The Subliminal Kid with musicians such as Fever Ray, Blonde Redhead and Glasser and remixed the likes of Massive Attack, Lykke Li and Bat for Lashes. In recent years the prolific artist has released three studio albums as part of the experimental classical duo, Roll The Dice.

In 2013 Mannerfelt unveiled a new solo direction under his given name, with EPs ‘Come Closer’ and ‘Stockholm Recorded’ via We Can Elude Control. These were followed in 2014 by the succinctly titled ‘I’ and ‘II’ as well as a split EP on Stockholm Ltd with label boss Pär Grindvik. In 2014 Mannerfelt unleashed his debut LP ‘Lines Describing Circles’, a ten track album that was met with approbation by the likes of Juno Plus and Fact Magazine.

Alongside his burgeoning new artistic identity came a unique new Live PA, a machine-driven tour de force that he’s since performed at events worldwide, including Berlin’s Atonal and CTM festivals and Bunker in New York.

2014 also witnessed the birth of his label, Peder Mannerfelt Produktion; a channel established by Mannerfelt as a vehicle for his revised production focus, but also as a platform for likeminded artists, such as the highly talented Klara Lewis.

Peder Mannerfelt is veteran producer and a singular artist, one at the inaugural stage of a renewed and blossoming solo career.